The making

Paper, sizes and framing.

Everything between the photograph and your wall, and why each part is the way it is.

Print on smooth matte paper, unframed, Sydney Opera House sails at sunset
Print on matte paper, detail of the paper texture, Sydney Opera House sails at sunset
Framed print, Sydney Opera House sails at sunset

On location

Shot where the title says.

No stock and no composites. Every frame is made on site, at the place the title names, and nothing is assembled afterwards. It is the one part of a print that cannot be added later.

The paper

One paper, chosen on purpose.

Smooth and low sheen, it holds detail in open water and in shadow without the glare you get from gloss. Every print in the shop is made on it, framed or unframed, so a set hangs together whatever sizes you choose.

Paper
Enhanced Matte Art
Weight
200gsm
Inks
Pigment
Finish
Matte, low sheen

Sizes

Four sizes. Nothing cropped.

Every photograph keeps the camera's native 3:2 ratio, so each size is the whole frame, never trimmed to fit.

Framing

Box framed, glazed in acrylic.

A box frame with acrylic glazing and no mount, in black, white or natural. Acrylic survives freight where glass does not, and a framed print arrives ready to hang.

  • Black
  • White
  • Natural

Edition

Open edition.

Nothing is signed, numbered or sold with a certificate. Every print is made to order, and its value sits in the photograph and the print rather than in a scarcity number.

Delivery

Made for you, then shipped tracked.

  • Made to order at a fine art lab in your regionSame paper, same inks, same object, whatever size you order.
  • Five to ten business days to makePlus courier time, tracked to your door.
  • Unframed prints ship rolled in a rigid tubeFramed prints ship flat, ready to hang.
  • Arrived damaged? We replace itSend a photo to charleschevojon@gmail.com within 14 days of delivery. Nothing to send back.
Sydney Opera House sails under a golden rainbow, the full photograph behind the prints above.